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Some of the world cinema’s greatest directors counted Godard’s boundary-breaking work as an influence, including Quentin Tarantino, Bernardo Bertolucci, Brian De Palma and Jonathan Demme. Godard harbored a life-long sympathy for various forms of socialism depicted in films from the early 1970s to the 1990s.

It came out a year before popular anger at the establishment shook France, culminating in the iconic but short-lived student unrests of May 1968. In “Weekend,” his characters lampoon the hypocrisy of bourgeois society even as they demonstrate the comic futility of violent class war. His work turned more starkly political by the late 1960s. Godard, who was later to gain a reputation for his uncompromising left-wing political views, had a first brush with French authorities in 1960 when he made “The Little Soldier.” The movie, filled with references to France’s colonial war in Algeria, was not released until 1963, a year after the conflict ended.

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He also worked with Ugo Gregoretti, Pier Paolo Pasolini and Roberto Rossellini on the Italian movie “Let’s Have a Brainwash,” with Godard’s scenes portraying a disturbing post-apocalypse world. Godard also launched what was to be a career-long participation in collective film projects, contributing scenes to “The Seven Deadly Sins” along with directors such as Claude Chabrol and Roger Vadim. He spiced it all up with references to Hollywood gangster movies and nods to literature and visual art. Godard rejected conventional narrative style and instead used frequent jump-cuts that mingled philosophical discussions with action scenes. The movie stars Belmondo as a penniless young thief who models himself on Hollywood movie gangsters and who, after he shoots a police officer, goes on the run to Italy with his American girlfriend, played by Jean Seberg.Īlong with Truffaut’s “The 400 Blows,” released in 1959, Godard’s film set the new tone for French movie aesthetics. It was to be Godard’s first big success when it was released in March 1960. He also began work on “Breathless,” based on a story by Truffaut. Returning to Paris, Godard worked as spokesman for an artists’ agency and made his first feature in 1957 - “All Boys Are Called Patrick,” released in 1959 - and continued to hone his writing. He used the pay to finance his first complete film, the 1954 “Operation Concrete,” a 20-minute documentary about the building of the dam.

By 1952 he had begun writing for the prestigious movie magazine Cahiers du Cinema.Īfter working on two films by Rivette and Rohmer in 1951, Godard tried to direct his first movie while traveling through North and South America with his father, but never finished it.īack in Europe, he took a job in Switzerland as a construction worker on a dam project. He became friends with future big-name directors Francois Truffaut, Jacques Rivette and Eric Rohmer and in 1950 founded the shortlived Gazette du Cinema. 3, 1930 in Paris, Godard grew up in Nyon, Switzerland and studied ethnology at the Sorbonne in France’s capital, where he was increasingly drawn to the cultural scene that flourished in the Latin Quarter “cine-club” after World War II. Immensely so” at the news of Godard’s death.īorn into a wealthy French-Swiss family on Dec. While many of his works were lauded, Godard also made a string of films that were politically charged and experimental, and pleased few outside a small circle of fans, while frustrating many critics who saw them as filled with overblown intellectualism.Ĭannes Film Festival Director Thierry Fremaux told The Associated Press on Tuesday that he was “sad, sad. He profiled the early Rolling Stones, gave a voice to Marxist, leftist and 1960s-era Black Power politics, and his controversial modern nativity play “Hail Mary” grabbed headlines when Pope John Paul II denounced it in 1985. He worked with some of the best-known names of French cinema like Brigitte Bardot and bad-boy Jean-Paul Belmondo, who was propelled to stardom through Godard films. He rewrote rules for camera, sound and narrative. Godard defied convention over a long career that began in the 1950s as a film critic. Digital Replica Edition Home Page Close Menu